《丹麥小村教堂》講述的是什么故事？
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. L?nborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merl?se Church. On 4 July, Dreyer went in advance to Ringk?bing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
1、《丹麥小村教堂》是哪一年上映的？
《丹麥小村教堂》是卡爾·西奧多·德萊葉于1947年拍攝的一部經(jīng)典劇情片。此片開創(chuàng)其它當(dāng)代劇情片的先河，《丹麥小村教堂》上映時(shí)票房穩(wěn)坐前三，創(chuàng)下當(dāng)年紀(jì)錄。當(dāng)時(shí)Ib,Koch-Olsen均為最佳主角，Ib,Koch-Olsen以精彩演技和突出形象，奠定在其它影壇地位。Ib,Koch-Olsen飾演角色造型多年后仍為人所模仿?？枴の鲓W多·德萊葉之前曾被人懷疑其能力，而《丹麥小村教堂》卻奠定卡爾·西奧多·德萊葉劇情片風(fēng)格。《丹麥小村教堂》首映時(shí)曾獲海外劇情片和媒體廣泛稱譽(yù)，被認(rèn)為其優(yōu)秀程度，是足以與同時(shí)期（指1980年代）好萊塢（好萊塢）優(yōu)秀劇情片齊名。
2、被稱為劇情片的開先河之作的《丹麥小村教堂》，是卡爾·西奧多·德萊葉最好的作品嗎?
從卡爾·西奧多·德萊葉斬獲劇情片最佳導(dǎo)演 我就覺得這部《丹麥小村教堂》是他最好的劇情片。雖然卡爾·西奧多·德萊葉后來(lái)還拍出來(lái)了評(píng)價(jià)特別好的劇情片，但是《丹麥小村教堂》是他劇情片的代表作品。
3、《丹麥小村教堂》為什么可以成為經(jīng)典？
提起其它劇情片，人們就肯定會(huì)說(shuō)出《丹麥小村教堂》的名字。這部由卡爾·西奧多·德萊葉導(dǎo)演，Ib,Koch-Olsen主演的《丹麥小村教堂》，在當(dāng)時(shí)，真的是成為了一匹黑馬，殺出了一條血路，創(chuàng)造了一個(gè)奇跡。為何會(huì)這么說(shuō)，我想，就連卡爾·西奧多·德萊葉導(dǎo)演和Ib,Koch-Olsen，都沒想到這部劇情片會(huì)得到這樣好的反響。卡爾·西奧多·德萊葉先生曾說(shuō)過(guò)，這是一群失意的人湊到了一起創(chuàng)作出來(lái)的一部作品。因?yàn)樵凇兜溞〈褰烫谩烽_拍之前，Ib,Koch-Olsen已經(jīng)有4年無(wú)戲可拍，而Ib,Koch-Olsen主演的劇情片，票房始終不理想，這樣的幾個(gè)人湊在了一起，也真是緣分！所以，正是這樣的失意感和強(qiáng)烈的自尊心，他們?cè)趧∏槠型度氲臒崆?，是我們難以想象的，其實(shí)《丹麥小村教堂》中的人物心理歷程和感人的劇情，何嘗不是現(xiàn)實(shí)中他們的真實(shí)寫照呢？所以，他們懷著一腔心有不甘的英雄氣，用他們的實(shí)力和人情成就了這部經(jīng)典劇情片，也成就了他們自己！
4、如何評(píng)價(jià)《丹麥小村教堂》?
《丹麥小村教堂》口碑非常好深受廣大觀眾喜愛，《丹麥小村教堂》一經(jīng)播放立刻引來(lái)無(wú)數(shù)人點(diǎn)贊，不僅Ib,Koch-Olsen演的好而且該劇情片故事情節(jié)也非常緊湊，神馬影院（m.dayuand.com）觀看起來(lái)特別流暢同時(shí)還能扣人心弦，雖然目前《丹麥小村教堂》收視率一般但是該片目前受歡迎程度已經(jīng)名列前茅。該劇情片主演Ib,Koch-Olsen，她在該劇情片中的演技可圈可點(diǎn)，受到Ib,Koch-Olsen演的好而且該劇情片迷的認(rèn)可。
5、《丹麥小村教堂》劇情片的主要內(nèi)容
《丹麥小村教堂》是一部劇情片劇情片，由導(dǎo)演：卡爾·西奧多·德萊葉執(zhí)導(dǎo)，主演：Ib,Koch-Olsen，
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. L?nborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merl?se Church. On 4 July, Dreyer went in advance to Ringk?bing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
6、《丹麥小村教堂》是卡爾·西奧多·德萊葉導(dǎo)演的一部超級(jí)經(jīng)典的劇情其它片，該劇講述了：The history of Danish country church architecture is told by showing scenes of how the church was us，想看更多的相關(guān)影視作品，請(qǐng)收藏我們的網(wǎng)站：m.dayuand.com
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. L?nborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merl?se Church. On 4 July, Dreyer went in advance to Ringk?bing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
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